Just a Country Girl: Defining “Rural”

When working on my dissertation: “Southern Voices, Y’all: A Narrative Inquiry of First Generation, Working Class Women Students Originating from the Rural South,” I became aware of the realm of scholarship devoted to rural studies. It was my feeling that women growing up in the South encountered different cultural pressures that may shape their experiences as a college student, but it wasn’t until I started researching this idea that I began to think about what it means to be from the rural South.

Many people have certain images that come to mind when the South is mentioned, and rarely is it metropolises such as Atlanta or Houston. Certainly, these cites are classified as Southern, but for the purposes of my study, I am focusing on those country places.

This is when the idea of rurality comes in. I didn’t even know such a thing existed in the scholarly world. Although country music has idealized rurality since the beginning of the 20th century (“I was country…when country wasn’t cool…” “I’ve gone country…look at those boots” “A country boy can survive”), rural studies has existed for a while now, beginning in Europe when scholars began observing the differences between urban places and their rural counterparts (Brown & Schafft, 2011). In the social science world, “rural” is not just a place, but also a culture. While some might try to focus on social norms in terms of demographic, environment, and economy, more modern scholars acknowledge the culture of rural people as Durkheim’s notion of the rural definition, which he argued were the glue of rural communities: “the affinity of blood, attachment of the same soil, ancestral worship, and community of habits” (Brown & Schafft, 2011).

This makes so much sense to me.

Though my parents weren’t farmers, their parents picked seasonal crops as a means to survive, and their grandparents lived and died by the rain from the sky. Even though they weren’t farmers, our town was know for its main export: chickens.

Loyalty to the land, a common purpose, love of family, patriotism,…these are all things I’ve been taught from the beginning. Idealizing ancestors, even perhaps many who shouldn’t have been, is not so much taught as it was internalized. A community of habits, well, that speaks for itself. Hard work, not taking “handouts,” earning one’s keep, these are all things country people know.

There are some things country people should learn, but in their stubbornness, refuse to acknowledge, like voting against their own self interests.

I’ll address this virtue in a future post. For now, when you think of country, what comes to mind? Those of you who consider yourselves from the country, what about his life do you feel people misunderstand or misconstrue?

War Eagle Women: It’s All About the Secrets

Name a Gothic novel without secrets. You can’t. Secrets are the core of all things Gothic.
I take that back. Secrets that refuse to be kept are the core of all things Gothic. And Southern Gothic? Of course! Even more so.
With perhaps the bloodiest non-war history of any other section of our country. I think the number one reason why the Gothic fits so well here is the history and geography both.

Think of the Old South. What do you see? Plantations in ruin, people starving, many homeless…especially those who had received their freedom from slavery–and very little else. The soil itself cries tears of blood straining to keep its past and present crimes a mystery.

But secrets are funny things. They are stubborn and unruly and don’t like to be kept. Especially in the deep mountains of Arkansas where few people have trod. Especially in the hidden caves next to the wild river. Especially, in the heart of a girl.

War a Eagle Women is now available in print.

http://www.barnesandnoble.com/w/war-eagle-women-tina-coleman-bausinger/1120443907?ean=9781619355873

It’s Southern Gothic–Steel Magnolias, Heaven and Fried Green Tomatoes all rolled into one. How can one secret affect four generations of women? By refusing to be kept.

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On Loving the South and the Southern Gothic

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O magnet-south! O glistening perfumed South! My South! — Walt Whitman

Loving the South doesn’t mean we don’t hold its injustices or secrets in a faraway place of denial.

To be Southern is to identify with its beauty–but at the same time naming our wrongs to others both past and present. Though the South may be indeed mired in the past, we enumerate our sins and attempt to learn from them. This makes us unique from the rest of the country, and indeed, the rest of the world.

It’s even more difficult to explain how it feels to be a Southern woman.

We have all experienced the “good old boys” network. We’ve all scratched and clawed our ways through antiquated ideas of male dominance, whether in the workplace, the family, or in the church. We’ve been taught that to be a lady means to not make a fuss.

Sometimes it’s necessary to make a fuss.

Sometimes, it’s necessary to scream and cry and force others to hear us. In Southern culture, to attempt to move from one’s designated place, either within society, our family and our own demons will always invite opposition.

But we, the New Southern Women, dig in our heels and cry “Bring it.” Because we, of all people, know of the danger that is found within the beauty of this land. The South is not perfect–the events that have happened here in our bloody past refuse to be forgotten or buried.

It’s these past transgressions, horrors and secrets that stamp an indelible tattoo of the gothic on our literature, our poetry, our music and even our very lives. We don’t deny our past–we could not even if we tried. But Southern solidarity and identity renders within us a beauty from the ashes.

Southern women are often the first to label the wrong we see, the ones who say “no more.”

Sister, I hear you. Your voice whispers into the chilly wind of winter, but is heard nonetheless.

For after the winter, the spring blooms anew.

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Jerkwads and 1st World Problems

 

This guy.

I’m a reasonable person most of the time. I don’t have a record. I pay my taxes. I buy 2% milk and take vitamins and never litter. I follow the rules.

But when I see stuff like this…well, I feel a little like a vegan trapped at a Texas barbecue. That’s CRAZY.

Why do people think it’s ok to do stuff like this? And what’s more, when I put it on Facebook, a friend of mine responded with “Yeah! I saw that guy there LAST WEEK DOING THE SAME THING.” So this guy is a repeat offender! GRRRR!

I guess I just don’t understand this kind of entitled mentality…someone who says to himself, “You know what? Even though parking spots are rarer than a Longhorn fan in Razorback country, I DESERVE two spaces for my brand new, untagged vehicle. I JUST DO.”

I would NEVER double park my giant truck in front of a popular sushi restaurant! That is unacceptable; only the biggest jerkwads would do that! (My dad, who never cursed, would call people jerkwads.) I might have used another harsher term under my breath.

But wait. Am I REALLY complaining about having to search for a parking spot? Is this the worst thing I’ve had to endure today in my cushy world? Wahhhhhhhh!

Whenever it dawns on me that I’m just as bad as Rude Truck Guy… I’m ashamed.

I often hear people joking about “First World Problems.” That’s really a catch phrase for entitlement. I’m guilty of this, without even realizing it. If the lady at the drive-thru at Starbucks doesn’t immediately come on to take my order, I get miffed. Every second that ticks by I get more annoyed. What’s taking so long? I’m BUSY. I have classes to teach and minds to ignite with knowledge! I can’t be expected to work my magic without my triple capp frapp! THE HORROR. There are people going through serious health issues, mamas grieving their children taken too soon, children going hungry. These are the real tragedies.

How spoiled I am! Here I am, on my way to have dinner with one of my sweetest friends (you all know her as Leigh Ann), at my favorite restaurant that is NOT cheap. Minutes before, I was watching Oklahoma with my Mancub, cuddling with my chihuahua, listening to the rain fall softly on the window of my cozy house. Hours before that, I finished up my first week of my dream job teaching students the joy of writing. I have so many things to be thankful for, but what do I post on Facebook? My outrage at this guy.

Forgive me Jesus.

Thank you for my cozy house that I have the privilege of taking care of. Thank you for my sweet hubby who puts up with my crazy ideas and my obsession with writing and literature. Thank you for my beautiful girls laughing in the kitchen, giving each other a hard time. Thank you for Mancub, who is transforming into a Godly man right before my eyes.

Thank you, Jesus, for these and many more blessings. Soften my heart and show me the ones in need you would have me help.

But listen, while I have you here, could you maybe send a little smiting Jerkwad’s way? Just the smallest smidge of smiting–like a giant bird doo on his precious window. If it’s not too much trouble. Amen!

 

Do you have a First World Pet Peeve you’d like to vent about? Go ahead! I’m with you, Sister!

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Southern Accents: Breaking the Tradition of Silence

Me and Mom circa 1975

Me and Mom circa 1975

“If you want to really hurt me, talk bad about my language. Ethnic identity is twin skin to linguistic identity–I am my language. Until I can take pride in my language, I cannot take pride in myself…I will no longer be made to feel ashamed of my existing. I will have my voice…I will have my serpent’s tongue–my woman’s voice, my sexual voice, my poet’s voice. I will overcome the tradition of silence.” ~Gloria Anzaldua.

“There is nothing like the abjection of self to show that all abjection is in fact recognition of the want on which any being, meaning, language, or desire is founded.” ~ Julia Kristeva

After reading Gloria Anzaldua’s Borderlands as well as Julia Kristeva’s Powers of Horror for my graduate level classes, I began exploring the idea of abjection and “othering” of foreigners. After some research with these and other feminist writers, it occurred to me that some of these same discriminations could also apply to Southern student attending college for the first time, most especially older students who have been a part of the workforce and are attempting to change occupations through the gateway of education. This short creative piece is a reflection of that experience.

Whispered Accents

So many times, when a new acquaintance finds out I am from Arkansas, the first thing she will say is, “Oh! You don’t have an Arkansas accent. How is that?”

The reason I don’t have an Arkansas accent (or what non-Arkansas perceive as one) is years of conscious effort to suppress it. If I say, “Y’all” or drop my “g’s” at the end of a word, or otherwise use language that causes spell check to disapprove, it somehow makes me feel guilty. It is because of this suppression that my children also have no accent.

I have, in the past, felt pride in this accomplishment, patting myself on the back that they do not have to struggle as I have had to in order to keep that part of my voice suppressed.

To have an Arkansas accent, a hillbilly way of talking, implies ignorance, poverty and other unpleasant stereotypes I have worked so hard to rip myself from. See, here, and here, are the scars that still bleed from the tearing.

It is so farfetched to see the connection from women who live on the border, between two worlds, to the scarcity of my own childhood where silence was often necessary? Where, to talk of college and seeking an education was viewed as self-serving or arrogant, too good for the life of my parents and their parents? I did not have toe right words to explain that seeking an education was by no means a personal slight, but an aching thirst that could not be quenched in any other way.

I too live on the border.

I have learned the right words to speak, to write. I have learned the words academia expects. But why are these words better than the ones inside me? Who decides, and why must I concede to their judgement? Why must I choose between the language of my peers and the words of my heritage?
I refuse.

For me, for my children, I will teach them the old words, the ancient stories that I have hidden from them. I realize now that I was not helping them by silencing them the way I had been silenced. I will tell them the stories and legends of who we are and where we came from. I will try to salvage their pride in their roots. Because the words I use are blended and diverse as the blood that runs through my veins.

My dialect, the words I know deep down inside the hidden places descended from the settlers who first braved the harsh Arkansas winters. Their words are a mix of Cherokee, Irish, Scottish, German and Chickasaw.

They are the words of the hard-working pioneers who settled the land; that rocky, unforgiving wild place called Arkansas.

My words are the suffering of the Cherokees mourning their dead.

My words are the fatigue of soldiers on watch at sunrise.

My words are the screams of my grandmothers in childbirth.

My words are the whispers of the moonshiners.

My words are the preacher’s pleas for repentance.

My words are the sinner’s tears of salvation.

My words are the sharecropper’s curses.

My words are myself.

I will teach my children the truth: these words are not shameful. For my mother, who was silenced, I will teach them.

And I (we) will no longer be ashamed.

Top 6 Mouthwatering Southern Dishes

Top 6 Mouthwatering Southern Dishes.